My practice is shaped by transcultural encounters with foreignness and the realities of a post-migrant society. I situate myself within posthuman feminism.
I’m interested in what happens when things entangle and boundaries dissolve - between human and other-then-human, nature and culture, digital and physical. In my work, I create spaces of process, of merging and becoming: hybrid states where things are constantly transforming. These works question the absurdity of rigid classifications and fixed identities.
My practice moves across different media - from performance to objects and video - and invites audiences to inhabit ambiguity, to engage with drifting shapes, and to experience the potential of in-betweenness. Complexity and hybridity are not problems to solve, but conditions inviting imagination, ecological reflection, and expanded ways of perception.
A central aspect of my process is collaboration with non-human agencies. Materials, technologies, environmental forces, and algorithms are not simply tools; they are active participants that introduce unpredictability and shape the work in their own ways. In this sense, authorship for me extends beyond the human.